poprosze seriale albo keygeny do cool record edit pro oraz sound forge 9.0 jesli mozna

dziekowac

Antonio :

poprosze jakis program do ciecia muzy , w sensie do wycinania kawalkow z setow ! bo mi audacity sie wysypuje i nie dziala

imo CEP daję radę przecie

EDIT: Adobe - Audition 3 to kiedyś był cep
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Ostatnio edytowany przez yeton (2008-03-17 15:26:57)

wiero :

yeton :

Antonio :

poprosze jakis program do ciecia muzy , w sensie do wycinania kawalkow z setow ! bo mi audacity sie wysypuje i nie dziala

imo CEP daję radę przecie

EDIT: Adobe - Audition 3 to kiedyś był cep
'
'linki widoczne tylko dla zalogowanych u�ytkownik�w'
'linki widoczne tylko dla zalogowanych u�ytkownik�w'
'linki widoczne tylko dla zalogowanych u�ytkownik�w
'
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albo można spróbować mp3DirectCut, mały i szybki ponieważ nie zamienia przed cięciem mp3 na wav tylko pracuje bezpośrednio na mp3 czyli zero czekania.'
'linki widoczne tylko dla zalogowanych u�ytkownik�w

racja

Image Line has released FL Studio 8, a complete music production environment.

Representing the culmination of more than 10 years of sustained development, FL Studio 8 is set to become the most flexible virtual music studio tool in the industry.

Chief Software Architect, Didier Dambrin has realized his vision of creating an open-architecture virtual studio environment where the only constraint on the users is their own imagination. This philosophy is reflected in FL Studio 8’s flexible audio and control data routing, free-form Playlist design and interoperability with industry standards (VST/VSTi/VST2, DXi, DXi2, Buzz, ReWire, MIDI, MP3, WAV, OGG). Didier notes ”We don't try to protect our data & come up with new formats only for marketing reasons. We use existing standards as much as possible, and allow FL Studio to be used as a plugin in other hosts“. In version 8, particular emphasis has been given to improved workflow through enhanced interface design, so that ideas can be crystallized and creativity captured.

What is FL8 ?

FL Studio is a fully featured, open-architecture music creation and production environment for PC. No extra software is required* to produce any style of music, as the complete set of instrument and studio tools is included in the cost of the package. With the included plugins, sounds and tools the user can create complete songs, as well as backing tracks, loops and sizzling beats. Completed songs can be saved to WAV, MP3 or MIDI or .ZIP or native project formats (.FLP).


Instruments

Make virtually any sound. FL8 includes 13 virtual synthesizers covering acoustic/synthetic bass, electric guitar and plucked string simulation, sampler tools including piano, general sample playback, and beat-slicing, and a range of synthesis techniques (subtractive, modelling, FM, granular and additive).

With its newest addition, FL Synthmaker - a fully modular environment, you can create & share your own FL instruments, effects & dashboards without the need to write basic code.


Audio Recording & Editing

Capture audio from a single vocalist right through to a full symphony orchestra. FL8 can record up to 64 simultaneous tracks of audio#. The Playlist workspace can contain an unlimited number of audio tracks and allows you to arrange discrete audio events in any order, and position the creative process dictates with complete flexibility. Audio tools allow the ability to time-stretch, pitch-shift, beat-slice, chop, edit and creatively destruct audio. FL8 has further enhanced its Edison Wave Editor, a fully integrated audio editing and recording tool with spectral analysis, convolution reverb, loop-recording and more…
FL Studio supports WAV, MP3 and OGG formats.


Sequencing

Record musical performances and ideas in the most logical way. FL8 functions as both a pattern and track based sequencer depending on user preferences. Tools include an unlimited track Step-sequencer, an industry-leading Piano Roll and Automation Clips. FL Studio supports MIDI and input from all standard Controllers.

FL8 is probably the fastest way from your brain to your speakers.


Arranging

Determine your own project design. In FL8, you decide how your project will be laid out. Unlike the competition, FL8's Playlist is a totally flexible and virtually unbounded space where Note Pattern, Audio and Automation data can be arranged, and edited to suit your creative ideas and workflow.


Mixing/Mastering

The most powerful mixer in its class. FL8 includes an industry-leading 64 stereo track mixer. Each track can include up to 8 effects and can also be routed to any of the other 64 tracks or one of 4 dedicated 'send' channels. The 44 included effects plugins span Maximizer, Limiter, Compression, Delay, Distortion, EQ, Filtering, Phasing, Flanging, Chorus, Vocoding and Reverb. These will take you from the creative broad-brush effects like reverb, through to the minutia of the mastering process with multiband compression/limiting and parametric EQ.


Lifetime free updates

Registered FL Studio users who purchase the download edition of the program receive lifetime free updates to the level of the program they buy (Express, Fruity, Producer or XXL edition). For example, all FL Studio 7 customers will be able to download FL Studio 8, 9, 10 ... for free. Boxed edition users can purchase lifetime free updates for a nominal fee.



Key new features and changes


First of all, FL Studio 8 is everything which is included in FL Studio 7 plus many, many more.
Let's have a look at its key new features ...


* FL Synthmaker is a fully modular environment where you can create & share your own FL instruments, effects & dashboards without the need to write basic code.

* One-click-recording using the built-in Edison Wave Editor, a fully integrated audio editing and recording tool with spectral analysis, convolution reverb, loop-recording and more…:

* Slicex, the power horse drumloop slicer & re-arranging tool.

* Soundgooodizer is a stereo 'maximizer-enhancer' plugin based on the Maximus sound processing engine.
Soundgoodizer is shiny it’s good!

* Included Fruity Limiter/Maximizer for maximizing & compressing final mixes or individual tracks

* FL Studio can permanently learn and remember links to external controllers with the new ‘multilink’ function + 'Override generic links' option.

* Wave Candy is a flexible audio analysis and visualization tool with Oscilloscope, Spectrum Analyser and Peak Meter.

* Sinc interpolation now faster (64point sinc now usable real-time depending on CPU)

* Rendering with latency compensation

* Score logger, records all MIDI & note activity for instant recall.

* Directwave Player, broaden your musical palette with downloadable sound banks and multi-sample sets.

* Recording filter, to select Audio, Automation or Note data recording independently or in any combination.

* New slip editing and resizing tool for Playlist clips

* Multi-core safe plugins are threaded for performance gain on multi-core CPUs.

* Introducing 'Selected mixer track' in Mixer, to which the selected mixer track is routed, and where to place visual effects or a recording Edison.

* FL8 now supports Track-based sequencing, Pattern Clips present sequence data as Audio and/or Automation Clips

* A 'News Panel', to keep users updated with content and patches.


Demo Limitations

All FL Studio demo versions are fully featured. You can compose new songs and export them to WAV or MP3. The only limitation is that the ability to save the project is disabled.


Formats

FL8 will fit easily within your current workflow supporting VST/VSTi/VST2, DXi, DXi2, MP3, WAV, OGG, MIDI, ASIO, ASIO 2.
Additionally supported through DirectWave Editor – AKAI AKP (S5/6K,Z4,Z8), Battery (version 1), MPC, Reason, Kurzweil, EXS24, Kontakt (version 1 & 2), Recycle, SFZ+ and SoundFont2.



Fruity Loops Studio 8.0 RC2 XXL Producer Edition
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Script That Solves The Problem With FL 8

What this script does is exports the systems current time to a temp file on C:, sets the date to March 3rd, 2008, runs FL.exe then returns the date back to the current date on your system by importing value from the exported file.

Now just create a shortcut on the desktop to this BAT file or put it on the desktop and there ya have it.


::NOTE::

Ensure your Installation directory to FL.EXE is correct in the script, if not, just modify it.
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PLUGINS


PoiZone v2

PoiZone is a subtractive software synthesizer designed to bring you professional quality results, without a learning curve that hinders your creativity. The concept behind PoiZone was to design a synthesizer that had the smallest number of controls while providing the maximum flexibility and features.

Useless knobs were ruthlessly removed so what remains is a UI where every knob counts. Once you have spent some time auditioning the preset patches we are sure you will agree that PoiZone packs a lot of punch in what appears to be a simple package, enjoy!

Features :

* 2 oscillators that can produce the two most popular and useful shapes for subtractive synthesis: fat, bright SAW and PULSE shapes, with adjustable pulse width.
* Noise generator.
* Ring modulation
* Sync modulation
* 16 voice polyphony
* 4 voice UNISON with user-adjustable stereo panning and 'Octaver'. The Octaver expands the harmonic range and flexibility of the unison sound to support the creation of realistic 'vox-like' effects
* 2 ADSR envelope generators. One for traditional envelope duties, the other can be user assigned
* 3 FILTER modes - low pass, band pass and high pass. PoiZone features a warm, super-trooper-extra-analog-moog-like-mega filter with self oscillation. Special attention has been given to precise filter tuning so that when KEYTRK is set to maximum, the PoiZone filter will track keyboard frequency precisely so it can be used as an oscillator. The PoiZone filter has bright and clean sound or it can be 'grungy' and 'angry' when resonance is introduced as it features some light distortion. And even with distortion the filter sounds clean on high frequencies as it has no aliasing
* Keyboard and Velocity tracking for the filter
* Multi-mode Arpeggiator
* Noise Gate with an adjustable 16 step pattern. The gate features smoothness control and the ability to import/export patterns to .fxp files
* DELAY effect, with tempo-synced click-free stereo delays and delay time modulation. Lo-cut and hi-cut for trancers!
* CHORUS with a warm sound with great unison emulation
* MIDI learn feature with the ability to save/load MIDI setups to/from a patch
* LFO and MOD WHEEL modulation. Can be assigned to a wide range of performance parameters in PoiZone

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Morphine 1.2.5

Additive Virtual Synthesizer for Windows and Mac OSX.
Ever wanted to synthesize a sound but found it was impossible? With Morphine, no sound is too painful to recreate. Morphine is a powerful Additive Synthesizer with a logical, flexible architecture that allows you to create any sound. You can do this directly by adjusting harmonics manually or by taking any input sample and resynthesizing it into one of 4 independent voices.

A Small Revolution
Additive Synthesis has been considered one of the most desirable ways to emulate real instruments or to create new sounds. However, Additive Synthesis has proved both technically and conceptually difficult to implement, requiring expensive computational algorithms and hardware.

Morphine changes everything!

Morphine introduces a minor revolution to the world of Additive Synthesis. With low CPU usage algorithms that retain a warm sound without sacrificing articulation accuracy, and a flexible architecture, Morphine moves instantly to the top of its class.


Inside Morphine
So what makes Morphine a revolution? We’ll tell you.

Morphine’s 128 harmonic oscillator engine is fully optimized for producing a high quality, warm sound, with ground shaking bass and crystal clear high frequencies. Based on complex, full 32 bit mathematics, with no internal sampling to avoid interpolation noises so Morphine retains that 'analog' quality.

The oscillators are also optimized for fast amplitude and frequency modulation response for accurate tone reproduction.

The oscillator engine is not only thing that makes Morphine sound so great. With an infinite number of harmonic snapshots 'per-spectrum', and the ability to map a unique spectra for each note, you can generate a realistic and balanced sound over the entire keyboard range.

Additionally, the four generator sources
can be morphed via the in-built mix/morph envelope or from an external MIDI controller. Combined with the four independent multipoint modulation envelopes, assignable to many internal parameters, you can achieve any sound, just like you imagined it.

As an ‘Easter-egg’ for the sound designers among you, Morphine provides unison and comb/pulse width filter modulation of the harmonics directly, adding even more motion to the sound.

Resynthesis
Be inspired. Resynthesis allows you to capture a complete spectrum from any audio sample, for accurate emulation of real instruments, or as a starting point for something completely new, using the in-built editing tools. Unlike the resynthesis of other additive synthesizers, Morphine provides total control so the resynthesized sounds are as close to the original sample as possible.

Sonic Flavor
You're a talented musician, full of great ideas, but you're still skeptical, right? So, what sounds can Morphine really make? Anything!

Complex evolving pads, deep basses, acoustic instruments, synthetic leads and keyboards are all possible using the advanced resynthesis features and intuitive interface.

However, musical creativity doesn’t guarantee you care about making your own sounds from scratch. Good news here too, Morphine ships with 290 high-quality presets covering a vast range of music styles. But, you don't have to take our word for it, download the demo and let your own ears be the judge.

Standalone
Next to the VSTi & AudioUnits version we have developed a bi-platform minihost that allows you to enjoy Morphine without using a sequencer or host. You can just start it as a standalone application and play it with your midi or PC keyboard.

Features :

* High quality sound engine optimized for low CPU usage and fast amplitude and frequency modulation response.
* 4 independent ”Generators“ per voice
* Keyboard layering with 128 unique Keyboard Zones.
* Unlimited number of harmonic ”snapshots“ (breakpoints) per spectrum.
* Amplitude, Detune, Panning control for all harmonics.
* Filtering and Velocity response for each Generator source.
* Highly CPU optimized, accurate Resynthesis allowing emulation of audio samples with high precision.
* Manual override options for the resynthesis process to achieve most accurate emulations.
* Ability to import waveshapes from audio file.
* Variable-time control for spectra, mix/morph envelopes (can also be linked to key number, velocity or any other controller).
* 4 PWM Filters (spectral emulation of comb filtering, unison or pulse-width)
* Additional generator that allows any Noise Sample audio file to be mixed with the synthesized sound, complete with filtering.
* Morphing path, morphs harmonics in real-time, controlled internally or from external modulation source/s.
* Morphing Square, mixes the 4 Generator sources with a single convenient interface.
* 4 multipoint (EG) envelopes can be routed to many internal Morphine controls
* 1 to 32 note polyphony, user selectable.
* ADSR master envelope
* Velocity response is adjustable.
* Up to 5 built-in simultaneous effects: Chorus, Delay, Reverb, Equalizer, Distortion.
* Attractive, user friendly interface, developed through 1000’s of man-hours testing and development.
* 340 high quality factory sounds.

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DeckaDance v1.20.5

Deckadance is a DJ mixing application that works either as a standalone program OR as a inside your favourite host. Deckadance itself can also host any VST compliant softsynth or effect.

You can control Deckadance using most (if not all) existing midi controllers & timecoded vinyl and CD systems.

In developing Deckadance, we didn't just bring in some consulting DJs to tell our software engineers what they wanted. Deckadance was written by DJs for DJs, so we are confident that it will take your DJing to the next level.

Of course, if you suck as a DJ, you will still suck using Deckadance, but you will suck better, faster, harder and more creatively than ever before!

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Maximus

Heavy weaponry for the loudness war

Maximus will deliver transparent peak limiting and volume maximization without coloration of the processed sound. However, Maximus is much more than a pristine quality Mastering Maximizer, it's also a Compressor, Limiter, Noise Gate, Expander, Ducker and De-esser. Maximus excels equally well as a final mastering plugin or as a per-track effect. Lock and load.

Maximus will quickly become one of the most rewarding tools in your recording and mixing arsenal. Maximus applies level maximization via compression and/or limiting across three frequency bands, to enhance and improve the final track.

Used sparingly, Maximus raises the volume of the track without introducing unwanted distortion and ensures that the quieter parts, often lost in the mix, are more easily heard. Bass can be increased and higher frequencies sharpened. Selected elements of a mix, instruments or vocals for example, or complete tracks are given a professionally mastered 'presence'.


Key features:

* 3 independent user-definable Low Mid High (LMH) frequency bands.
* Custom look-ahead for the LMH bands and Master compression envelopes.
* 4 compressors/limiter: One per LMH band plus a Master wide band compressor/limiter.
* Each compressor has an infinitely variable, multipoint compression curve. Create any shaped knee or special effects (limiting, compression, gating or expansion)
* Fully configurable. Any of the LMH or Master compressors can be bypassed to configure Maximus to suit any compression task
* Two saturation types per LMH & Master bands, with independent gain
* Mixing between the frequency dependent compressors and the master, perfect for parallel & NY-style compression
* 4 Independent stereo separation control per band

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Image Line DreamStation II

DreamStation II is a virtual software synth workstation which allows you to use your favourite audio effect and synth plugins to create complete masterpieces from scratch to mastering.

DreamStation II hosts a wide range of Direct-X, Direct-X Instrument, VST and VST Instrument plugins, drives MIDI compatible external or internal gear and records then plays back audio tracks or samples in 32 bits resolution.

The sequencer interface mixes the traditional "Piano-Roll" way with the raw "Tracking" method, showing you new aspects of composing electronic music. Audio, Automation (with configurable envelopes) and MIDI tracks with Piano Roll, Tracker and Percussion type patterns can be used to build up a complete song.

A versatile internal mixer with virtually unlimited number of channels mixes all of the outputs into a stereo signal, ready to be burned on a CD. Low- and highpass filters, parametric equalizers, built-in step time delay, eight custom insert and 8x8 send effects are available in each channel to use.

The DreamStation II package also includes the polyphonic analog synth, DreamStation DXi2, and five high quality effect plugins (DSFX Chorus, DSFX Flanger, DSFX Phaser, DSFX Reverb and DSFX Distortion).

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Image Line Wasp v2.0

The WASP vsti-dxi is best described as a "broad" analogue emulation synth, which means it can model sounds from a large range of analog synths such as Moog, Roland and others. New & experimental sounds are easy to synthesize with this plugin!


Technical Specifications

* 2 oscillators with coarse tune, -36/+36 semitones, & fine tune
* Oscillator shapes including sawtooth, square, sine & noise
* Sub Oscillator, slaved to Osc1 (one octave below), saw & square shapes
* Oscillator Mix slider
* Pulse Width for Osc1 & Osc2
* Frequency Modulation (Osc1>Osc2)
* Ring Modulator (Osc1 x Osc2)
* Amplitude envelope (ADSR) which can be linked to Filter ADSR
* Filter envelope (ADSR)
* 2 LFOs with Pitch, Osc Mix, Cutoff, Amp, PWM targets
* Filter section, packed with 6 filters.
* Cutoff, Resonance & Filter Envelope Amount adjustable
* Distortion section with Drive + Tone Control

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Image Line Toxic III

Toxic III features a hybrid synthesis engine, combining the best of FM and Subtractive synthesis. With the addition of a warm, analog-modeled filter and set of built-in effects, the Toxic concept remains one of convenience, simplicity, and superb sound quality.

The FM technology

...One of the ‘warmest’, crisp, and clear Frequency Modulation engines in the world, owes its sound to the precise calculation of the digital signal. Due to high-resolution DSP processing, it produces sound with an extremely low noise threshold; something that most FM engines cannot offer. The Toxic III sound was built from the ground up, via our own unique mathematical calculations and analog-modeling techniques.

The Oscillators

...Completely alias-free, and well tuned for all sampling rates, they produce a rich, "fat" sound all across the spectrum. Due to the high quality of the anti-aliasing process, users will not encounter the shredding noise on high frequencies that has plagued FM synthesis in the past. Furthermore, the oscillators are calculated at extremely high speeds, keeping your CPU usage to a minimum. Toxic III’s low CPU consumption affords the user plenty of room for external processing and running multiple instances. The oscillators also come equipped with Maxx Claster’s own powerful spectrum analysis technology. This allows the user to create his or her own waveforms, via the simple process of loading a WAV or AIFF format sound file. All of these features make the oscillators very flexible, and allow for the use of both synthetic and acoustic waveforms within Toxic III. Each oscillator also comes with 32 built in ‘classic’ waveforms, each shown to be the most useful in FM synthesis.

The Effects

...Made to assure high quality and flexibility is built into the synthesizer its self, Toxic III aims to reduce the need for external processing altogether! The effect modules are designed to give the user access to several types of effects, from aggressive, tube-like distortion, to warm stereo delay, reverb, flanger, and phaser effects. With our own pro-quality tape delay emulation, based on non-fixed delay buffer sizes, instead of the usual methods incorporated within digital delays, our delay lines give you warm sound, with ”true“ feedback and modulation. Lastly, the signal chain features an analog-modeled, parametric equalizer to further shape your sound. The EQ provides access to crisp, clear high-end definition, creamy mid ranges and earth-shaking low-end frequencies. The Toxic III effect modules expands its palette of sound to include everything from dark, atmospheric textures to razor sharp leads, fit to slice easily through any mix.

The Filter

...Maxx Claster's own analog-modeled, multimode filter is reminiscent of a certain silver box of old. Garnishing a warm, resonant Low-Pass mode, a smooth Band-Pass setting, and a creamy High-Pass mode, Toxic III gives a wealth of control over tone. The filter is further enhanced by modulation via a dedicated envelope generator and low frequency oscillator, as well as responding to velocity information and keyboard tracking. These features allow for extreme sound shaping, as well as subtle nuances attributed to dynamic playing.

The Sequencer

...Powerful, yet simple, the sequencer offers a total of 64 steps, which can be divided into two independent, 32 step modules to allow double-polyphonic patterns. Using our own "Smart Sequencer" technology, when a chord is played, the module defines that chord, and tunes the pattern accordingly. The sequencer also allows for pure playback of the programmed sequence from single notes. Simply holding one chord can virtually create an arrangement for you!

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Image Line Directwave

DirectWave is one of the most complete VSTi samplers currently available.

It loads and edits most of the existing sound formats out there (WAV (any), SF2 (Soundfont), AKP (Akai), Propellerheads Recycle, Native Instruments Battery, Kontakt *(nki), GIGA *(gig) & eMagic EXS24, ...) and it can even sample your existing VSTi instruments.

* 16 part multitimbral, 32-bit VSTi sampler
* 128 Voice Polyphony
* 128 programs
* Unlimited zones per program
* All samplerates supported
* Realtime SINC-64 point interpolation (HQ Audiophile)
* Poly, Mono, Legato operation, with glide / auto mode.
* 2*24 dB 5 mode filters serial or parallel
* Flexible 16 slot freely assignable Modulation Matrix
* 2 mod. ADSR envelopes, 2 zone-independent mod. LFOs 2 global program mod. LFOs
* Automatable loop points, reverse loop points supported
* Loop modes : fwd, one-shot, sustained, bounce looping
* Automatable sample start offset (available as mod. destination parameters)
* Built-in voice Insert FX with independent settings for each zone : ring mod. samplerate decimator, bitcrusher & phaser.
* Built-in send effects : chorus, reverb, delay (with filtered feedback, sync to host tempo).
* Independent send amounts per zone
* Freely assignable 16 stereo outputs
* Multi-editor with channel list, mixer, expression, modulation and pitchbend GUI controls
* Built-in sample editor with destructive editing (cut / copy / paste / trim functions), loop finding tool, normalize, vertical / horizontal zooming, etc)
* Realtime sampling / recording of whatever is connected to DirectWave inputs (needs modular host or host with assignable plug-in routing)
* Record Threshold: sampling input will wait until signal peak arises (-40dB)
* Built-in VSTi host to easily automate "sampling" of your vst instruments directly into DirectWave
* Total Recall operation mode: DirectWave will enclose all the required sample data in the project files created by your host: it creates totally portable projects without worrying about needed sample files
* Import: DWP (proprietary), WAV (any), SF2 (Soundfont), AKP (Akai), Propellerheads Recycle, Native Instruments Battery, Kontakt *(nki), GIGA *(gig) & eMagic EXS24
* Several importing methods: built-in browsing, drag&drop, menu options
* Built-in fast library browser list and tree-arranged menu program selector.
* Zone editor with visual zone arrangement map and list with all zone properties
* All program/zone parameters of all channels can be automated as VST parameters

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Image Line Sytrus v2.5

Sytrus Hybrid Synthesizer - subtractive but addictive

A disruptive innovation in software synthesis, nothing else compares to the diversity Sytrus packs. FM, RM & Subtractive synthesis - have it all!

Sound engine

Meticulously crafted, Sytrus delivers ethereal lush pads, sonorous bells, scintillating highs or simply dirty grunge. The 6 user-definable operators can act as independent oscillators for subtractive synthesis, cross-modulate to create complex FM (Frequency Modulation) or RM (Ring Modulation) synthesis or the 256 partial harmonic editor can be used to additively synthesize virtually any timbre you can imagine. With up to 64x oversampling Sytrus delivers 100% epic sound.

Effects

Sytrus features 3 independent, chainable, filter units, each containing an array of filters (13 types each with 5 cutoff slope settings) and integrated waveshaper (distortion processor).

The filter units are optionally followed by a Chorus, Delay & Reverb unit. 100% Flexibility.

Presets

With over 500 hand-picked presets Sytrus is ready to contribute to any genre immediately upon installation. Sounds cover - Arps, Bass, Bell, Brass, Chromatics, Drum, DX7, Experimental, FX, Guitar, Orchestral, Organ, Pad, Percussion, Piano, Plucked, Sequence, Synth, String, Wind. 100% inspiration.


Key features:

* 6 independent operators with total freedom on oscillator shaping
* FM, RM, subtractive synthesis
* Multipoint articulation with unique arpeggiator system
* Fully controllable & automatable unison
* Effects: 13 filter types, 3 band Parametric EQ, Phaser, Chorus, Filters
* X/Y modulation control
* Up to 64x oversampling (for high-quality FM synthesis)

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Image Line Slayer2 v2.5

FL Slayer is a realistic electric guitar simulation originally developed by reFX. It uses hybrid synthesis, similar to physical modeling. The simulator is equipped with a high quality amp section and effects rack, enabling you to recreate a complete electric guitar sound without needing additional plugins.

FL Slayer is included in every edition of FL Studio. Note however that FL Slayer is a VSTi plugin in a custom FL Studio wrapper, so the per-note parameters and slides don't work as with regular native FL Studio plugins.


Technical Specifications

Playing-aids for instant gratification
Build-in AMP/Cabinet simulation
Build-in Pre/Post AMP effects
64 ready-to-go presets included

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FPC drum kits pack 1

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FPC drum kits pack 2

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VST Plugin Pack

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Sytrus v2.0 Techno Pack

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FL Keys 2.0 Pack

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Image Line JuicePack v1.0

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Simsynth v2.7

SimSynth uses filters from classic Oberheim gear, and overdrives three oscillators into them like a MiniMoog. When you need classic analog sound with wall to wall presence, SimSynth delivers.

Features :
# 3 oscillators (which can be doubled effectively giving six)
# Warm SVF Oberheim style filter
# 16Bit 44KHz stereo output (CD quality)
# Overdrive features including soft clipping (sounds analog)
# Real-time MIDI control (Phatboy & Keyboard)
# Built-in step sequencer
# Built-in delay effects
# Multi-stage graphic envelopes
# Everything syncs to tempo, (Envelopes, LFO's, effects, etc)
# Generates WAV files for use with all other digital audio applications
# FruityLoops(tm) can access presets directly
# Cool layout

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Zero X's Beatslicer v1.2

Zero X's BeatSlicer takes the trouble out of time changes and the aggravation out of alterations. It does, essentially, exactly what it says on the tin...slices beats. Or as developer Peter Segerdahl describes it "A major software with all sorts of tools for easy manipulating rhythmic loops/grooves" It does so, however, in a way which has changed the way that I use samples in my music.

So, let's check it out in more detail...

Firstly, BeatSlicer can be used as a stand alone application with which you can open up from your start menu and tinker with at will, or, even cooler, as a tool within FL Studio (formerly known as FruityLoops), allowing you to copy parts back and forwards between the apps. Simply go to FL Studio's 'import' then 'import beat to slice' option in the file menu, and voila, you're ready to BeatSlice! Lastly, BeatSlicer also easily communicates with FL Studio's Fruity Slicer plugin, making a seamless integration between the two applications.

Upon opening BeatSlicer you're presented with an image representing the beats of the loop. Its big, its clear, and you can't miss it - perfect for the fine tuning and fiddling that us musicians love to do. Above that, is the toolbars, which we'll come to later. But first, back to that beat.

By the time you can see the beat, BeatSlicer will already have split it into slices where the peaks in sound occur and figured out the BPM of the loop, to three decimal places. If you feel its not split the beat down far enough, you can adjust its sensitivity so it pick up more subtle beats, or slice by hand to suit your needs. However, having used BeatSlicer for almost a year now on a regular basis I've never had to do this - unless I've been making something weird and wanted to intentionally confuse it. But hey, it copes with that too.

You will now be able to click on, and edit a single segment; move them around, delete or repeat and shuffle to your heart's content. The basics are as simple as they sound. To delete a part, select and press delete…gone. To copy, select copy, then paste, just like any other copy and paste function youd use anywhere else on your windows machine. Want to move a piece? Click and drag baby! As simple as that.

But BeatSlicers talents aren't limited to simply moving parts around...the 'Process' menu allows normalization of either single beats, or the loop as a whole to a set level ( 0 db by default, but whatever you choose), and has options to silence, fade in or fade out again either a single slice or the whole loop.

The three toolbars show, from bottom to top, information about the beat and sensitivity settings, zoom and fit to screen settings and standard save/load settings on the top, as well as the play, stop fast forward bits. Well laid out, intuitive and hassle free, keeping in with the spirit of the app. It does everything easily, smoothly and well, without having to spend months poring over the manual.

Once youre happy with your loop, you can export .wavs of the individual parts on their own, slice markers (so you can insert different samples into the same groove, in FL Studio, for example), or both. Exporting both will allow you to open the beat as is in another compatible app and incorporate into your creations as you see fit.

Kod:'
'linki widoczne tylko dla zalogowanych u�ytkownik�w

espeer :

A mozna tu dostac jakis programik do przetwarzania muzyki ze zwyklych CD na Mp3 ?

cdex'
'linki widoczne tylko dla zalogowanych u�ytkownik�w

Ostatnio edytowany przez yeton (2008-03-17 16:59:45)

POSZUKUJE PROGRAMU RESOLUME DO VISUALIZACJI WERSJE 2.4.1 !!!!!!!!!!!!!!!!!!!! KTOS MA ?

Antonio :

POSZUKUJE PROGRAMU RESOLUME DO VISUALIZACJI WERSJE 2.4.1 !!!!!!!!!!!!!!!!!!!! KTOS MA ?

sciagnij demo a ja ci podesle klucz odezwij sie jakos


a ja przyłączam sie do prosby colmiego niech ktos coza zarzuci a i jak ktos moze ma dzwieki minimalowe w jakis paczkach ?

Ostatnio edytowany przez michael cortez (2008-04-15 22:28:05)

Colmi :

Ueberschall Minimal Techno vst

linki do takiej wtyki by się przydały ewentualnie do jakiś innych minimalowych...bardzo proszę

Ueberschall Minimal Techno vst'
'linki widoczne tylko dla zalogowanych u�ytkownik�w
link do torrenta
Duzo seedow !!!!

michael cortez :

a akurat mam zablokowane torenty ma ktos na servie to

zassam i CI wrzuce

dziekuje Ultra i nie biore do dłoni

Ostatnio edytowany przez Antonio (2008-04-15 23:26:40)

ultraBMX :

michael cortez :

a akurat mam zablokowane torenty ma ktos na servie to

1.60GB wrzucam na rapida jutro bedzie

poważnie ??

Colmi :

ultraBMX :

michael cortez :

a akurat mam zablokowane torenty ma ktos na servie to

1.60GB wrzucam na rapida jutro bedzie

poważnie ??

yep